I operate from a dual lens — artist and strategist — which shapes how I approach this work: I understand cultural production from the inside, not just as a service provider looking in.

Who my services are for

I work best with organizations that are ready to grow their community relationships but don't have the internal bandwidth or specialized expertise to do it alone. That typically looks like:

• Small to mid-sized nonprofits without a dedicated events or fundraising manager — where these responsibilities are split across staff who are already stretched thin

• Arts and cultural institutions (museums, galleries, performing arts organizations) looking to deepen engagement with audiences who haven't traditionally seen themselves reflected in the institution

• Organizations preparing for a specific moment — a capital campaign, an anniversary event, a new program launch — that need focused strategic and operational support for a defined period

• Mission-driven organizations serving local communities, where cultural fluency isn't a nice-to-have but a requirement for the work to actually land

• Leadership teams that know what they want (more donors, better events, stronger community ties) but need help figuring out how — building the systems, cadences, and campaigns to get there